“Dissard’s… style is intimate Paris chanson, a low-voiced delivery, the singer addressing the microphone as if it’s your ear and she doesn’t want anyone in the room besides you to overhear whatever it is that she’s saying.” – Pop Matters
“L’Entredeux... a coming-together of European musical traditions and American sounds. L’Entredeux sounds lively and expansive, an idiosyncratic view of French and southwestern musics.” 7.2/10 – Pitchfork
“Heart-melting debut that beautifully melds Southwestern noir with the husky, unequivocal whisper of chanson. An intimate and amorous album. What sets Dissard apart from the rest of the chanteuses riding the Francophile wave is her delivery – subtle, slightly spitty and the most effective aphrodisiac since Benjamin Biolay’s Trash Yeye.” – Philadelphia Weekly
“Dissard(s)... work has a lovely, mournful lilt, a sort of Parisian blues. Even those of us who don’t speak French cannot help but be touched by the stark beauty of her phrasing.” – LA Weekly
“Beautiful and coherent, understated and entrancing” 8/10 – Blurt
“Enchanting” – Now Toronto
“Fabulous. Stunning.” – Ottawa Xpress
“She’s just a damn good time.” – Seattle Weekly
“One of the most poignant and versatile live performers you could ever hope to stumble across. Whether she is crooning in the corner of a Tucson bar or fronting a five-piece collective, Dissard commands an audience unlike many others.” – Santa Barbara Independent